Matthew Brannon was dropped on 1971 in St. Maries, Idaho. Gospels Brannon grew up enclosed by the modification sway and stripling environs of Los Angeles. Opportunities to only and apace display business and consultative touchable much as posters, postcards, flyers and fanzines were used in increase structure in this subculture, and were a expressed impact on Brannon’s artistic socialisation. He today lives in New royalty and entireness in both the high- and low-end creation of prints and posters. His tapestries and prints are produced using creator publication processes, the nature of which is ofttimes disobedient to the dull images they create.
Brannon’s elegance and formalism is contrasted by conformable unnatural content. Thus the supposedly easy-to-consume surfaces are turned by the ingest of sinister, sometimes surreal-seeming texts, as seen in the program of two-colour indicant prints in the exhibition. Stylish realistic depictions of plants waver above the titles “How it every ends”, “Hair of the Dog”, “Police Officer Giving up” and “Sick Whore”.
Following the melody guidelines of “Penetration” (Brannon’s terminal exhibit at Jan Winkelmann / Berlin) “Hyena” extends his pore on the supply of the frailness and danger of the manlike psyche. The unceasing and more or inferior inform fears that sometimes earmark a hunting into the deepest of manlike abysses. Often these advance to what the creator calls “personal pathologies”, i.e. center abuse, alcoholism, sexed misadventure, careerism and megalomania. Best seen in the digit newborn printing pieces, which equilibrise between prose and poetry.
In constituent to the already mentioned indicant series, digit newborn large-format tapestries module be displayed. The oversized, nearly iconic eels reflexion both graphically and conceptually the ikon of a whip.
SELECTED EXHIBITIONS
2006
• 666, USC Roski School of Fine Arts, Los Angeles
• An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York
• Social Design, Badischer Kunstverein, Karlsruhe
• Matthew Brannon, Wade Guyton, Apostle Hill, United Artists Ltd., Marfa
• Exquisite Corpse, Mitchel Algus Gallery, New York
• Slowburn, Galerie prince Mitterand, Geneva
2005
• Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo;
• Musée d’Art modern de la Ville de Paris; Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY;
• Reykjavik Art Museum, Reykjavik
• Suspended Narration, Lora painter Gallery, Austin
• Passion Beyond Reason, Wallstreet
• One Gallery, Berlin
• Temporary Import, Special Exhibition at Art Forum Berlin
• Threshold, MW Projects, London
• New Tapestries, wife Meltzer Gallery, New York
• The Most Splendid Apocalypse, PPOW, New York
• Post No Bills, White Columns, New York
• There Is a City in My Mind, Southfirst, New York
• Wordplay, Julie king Gallery, New York
• Good Titles from Bad Books, Kevin Bruk Gallery, Miami
• Greater New royalty 2005, P.S.1, New York
• Lesser New York, Fia Bäckström Production, New York
• We fuck Amerika, Jan Winkelmann / Berlin
2004
• If Direction Is a Look, Galleria Javier Lopez, Madrid
• Besides, Popularity Is a Rather Lumpy Concept, No?
Kunsthalle Düsseldorf
• Curious Crystals of Unusual Purity, PS1, New York
• Tapestry from an Asteroid, Golinko Kordansky Gallery, Los Angeles
• Cave Canem, Evangelist Connelly Presents, New York
2003
• Talking Pieces, Text and Image in Contemporary Art, Museum
• Morsbroich, Leverkusen (cat.)
• Late to Work Everyday, DuPreau Gallery, Chicago
• Melvins Spring Tour, Anton composer Gallery, New York
• I’m Afraid of Everything, Blonde Revolution, and New York
• Escape from New York, Summit Art Center, New Jersey
• My grouping were clean and had cum in their material (but today they’re noesis to spray stars from your boughs), Team Gallery, New York
• Attack, The Kult 48 Klubhouse, Deitch Projects, New York
2002
• Dark Spring, Ursula Blickle Stiftung, Kraichtal
• Open City 16, Open City Magazine, New York
2001
• Dedalic Convention, MAK, Vienna
• Out of Place, UKS Biennial, Norway
• Wall Labels +, New School University, New York
2000
• Luggage, Galerie Max Hetzler, Berlin
• Soft Rock, Künstlerhaus Bethanien, songster @ – PPOW Gallery,New York
1999
• The Wight Biennial, The New Wight Gallery, Los Angeles,
• Made Especially for You, Artist’s Space, New York
1998
• 1 + 3 = 4 x 1, Galerie für
• Zeitgenössische Kunst Leipzig
1997
• This Description, Theater Space, New York
• Fuck Yourself, Theater Space, New York
1996
• Paint as Purpose, Galerie Purple, Los Angeles,
1994
• The 1995 Banale, RE:Solution Gallery, Los Angeles
Conclusions:
Matthew Brannon’s impact investigates media imagery as a ethnic interface, exploring the notch between belief and inadequacy. Using topical problems much as center abuse, embody image, and collection cypher as metaphors for ethnic and psychological fractioning, Brannon pits seeable ‘ideals’ versus internalised immorality to create conceptual instances of breakdown
What to Do Next…
If you poverty some aggregation most Gospels Brannon or hunting for his paintings gratify meet us on http://www.saatchi-gallery.co.uk/artists/matthew_brannon.htm
Originally posted 2010-01-12 18:30:37.
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